Like coda for windows
I’ve got a news clipping from the Mobile Register, July 24, 1931, headlined, “New Law Office Opens. He overlooked an airshaft there, but no matter. For thirty-five years prior to that, his office had been housed in the 1905 First National Bank Building that was torn down once the modern bank building was ready. There’s the red terra-cotta dome of the Gulf Mobile and Ohio railroad station, now restored for offices and a bus terminal, where he took the train to Atlanta during the late 1920s to go to Emory law school the grain elevator and loading berths of the Alabama State Docks, which he represented as legal counsel for four years after World War II the port of Mobile with its lazy brown river opening out to Mobile Bay, and all the sites where we launched a boat to go fishing when I was a boy.įor forty years he looked out this window, having moved into this building once it opened in the mid-1960s across the street from the nineteenth-century iron fountain and ancient oaks of Bienville Square, the historic heart of town.
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Past his now-silent Dictaphone, over the two dozen black bindings of the Code of Alabama lined up on his windowsill, over the snapshots of my mom, who passed away three years ago, I see the view that, like the possessions in this office, will forever belong to him.
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Sitting at my dad’s old walnut desk, my elbows on the leather desk pad cracked dry with time, I gaze out his twenty-fourth-floor law office window. You return to the document, where the “To Coda ” mark appears in every staff.A son finds memories and solace in the office of his late father, Charles Hoffman 31L You can delete it and put it in another measure-even a measure that precedes the “To Coda ” marking-and Finale still directs the playback to it correctly. Enter the Text Repeat ID number of the coda sign you placed in step 2.īecause you’ve specified that the playback should jump to the coda sign itself (instead of to a measure number), you can change your mind about the location of the coda sign in the score.
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This replaces the # sign with the repeat mark itself-in this case, the sign (“To Coda ”). Now select Text Repeat ID in Target from the Replace ‘#’ With dropdown menu. If you don't see the “To coda” marking, click Create and type “To Coda #.” Set the font and style by clicking the Set Font button. The Text Repeat Assignment dialog box appears.
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If you don’t see the marking, click Create the Repeat Designer dialog box appears. If you are not placing a “working” coda sign in you piece, click OK and skip to step 5.
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Take note of the unique Text Repeat ID in the top left of the dialog box. Double-click the measure in which you want the coda sign to appear. To place the sign, and a “to coda” sign in the score When Finale encounters the “To Coda” marking, it will direct the playback of your score to the measure displaying the sign. With some additional steps, you can setup your coda markings to control the way Finale plays back your score. The musician’s cue to jump to the coda is often marked by a marking like “To coda ,” and the coda itself often displays a notation like “ Coda.” You can place such markings into your score very easily if you’re preparing your score for printout only (without playback). Noteman says: To automatically create a separate coda system, use the Create Coda System plug-in.Ī coda is a musical tag, or extension, which usually follows the main body of the piece.